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Highlights
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Transformer-coupled inputs
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Excellent audio quality
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Superior power-feed performance
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Front- and back-panel IFB connectors
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Single rack-space mounting
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Universal mains input powering
Overview
The Model 42A is designed to
create broadcast-standard IFB circuits from line-level audio
sources. The unit’s primary application is to interface analog
outputs associated with digital matrix intercom systems with
broadcast IFB user devices. The Model 42A provides four independent
IFB circuits. For convenience, the four circuits can be connected by
way of eight 3-pin male XLR-type connectors; four of which are
located on the back panel and four on the front. Each IFB circuit
provides DC power and two analog audio signals to support the
connected IFB user devices. The Model 42A’s audio quality is
excellent; little hiss, hum, or other artifacts are present. To
ensure optimal operation, the unit provides resources for visually
and audibly monitoring the audio output signals. In addition, the DC
output voltage is monitored for over-current and short-circuit
conditions.
Installation of the Model
42A is very simple. Audio input connections are made using a 25-pin
D-subminiature connector. The IFB output circuits interface using
standard 3-pin XLR-type connectors. The compact, one-rack-space
package is constructed using heavy-gauge steel components. The
unit’s mains power input can range from 100 to 230 volts, 50/60
hertz. This "universal input" ensures correct operation virtually
anywhere in the world.
There may be persons not
familiar with the term IFB. That’s not unreasonable as it’s a
somewhat obscure acronym for interruptible foldback. On its own, the
term foldback is an alternate way of describing a cue or monitor
function. Adding "interruptible" before it means that the cue source
can be temporarily replaced with an audio signal originating from a
producer, director, or other production personnel. IFB circuits are
often used in the broadcast industry for talent cueing applications,
both in studio and field settings. Both "dry" and "wet" IFB circuits
can be deployed and their characteristics are worth reviewing. The
term "dry" IFB typically refers to a transformer-balanced line-level
audio circuit with a nominal level in the range of 0 to +8 dBu. This
is essentially a standard audio circuit that is commonly used to
interconnect audio equipment. The term "wet" IFB refers to a circuit
that combines DC power and one or two channels of analog audio. The
nominal level of the DC power source is typically in the range of 30
to 32 volts. The audio is unbalanced with a typical nominal level of
–10 dBu. The Model 42A implements wet IFB circuits. As such, in this
user guide the term IFB will always represent this type of circuit.
IFB circuits provide an
effective means of delivering power and two channels of audio to
user devices by means of standard audio cables. These cables,
ubiquitous to the audio industry, interface using 3-pin male and
female XLR-type connectors. Using IFB circuits and standard audio
cables it’s a simple matter to support user devices such as
listen-only belt packs and announcer’s consoles with no external
power source required. Whether the IFB source and user devices are
100 or 1000 feet apart, reliable operation can almost always be
provided.
In many cases, the Model 42A
Interface will be used in on-air television applications. Whether
installed in a fixed location or as part of a remote facility, the
unit is capable of providing excellent performance. In addition, the
Model 42A is applicable for non-broadcast applications. For example,
audio recording and post-production facilities can also effectively
use the Model 42A. Combined with stereo or mono listen-only belt
packs, also available from Studio Technologies, a variety of
headphone cue systems can easily be deployed. And since the Model
42A’s audio inputs are compatible with standard line-level audio
signals virtually any analog source can be connected .
Four Independent IFB Circuits
The Model 42A supplies four
independent IFB circuits. Each circuit consists of two audio inputs
and a 2-channel "wet" IFB output. The audio inputs are transformer
coupled, have a nominal level of +4 dBu, and are compatible with
balanced or unbalanced sources. In on-air television broadcast
applications the audio sources will often be analog outputs from
matrix intercom systems. Two sources are typically designated to
serve as user cue signals. Generally one source is configured in the
matrix intercom system as "interrupt" while the other is configured
as "program." An alternate term often used for the "interrupt"
channel is "program-with-interrupt." This may be more descriptive as
the function is actually a program source that gets interrupted with
talkback audio. The "program" channel is typically a continuous
source of program audio. An alternate term is "program-only." For
other applications, the Model 42A’s audio inputs can be connected to
a 2-channel or stereo audio source. This configuration may prove
useful in radio broadcasting, audio-with-picture, or recording
studio applications. The specific application will dictate whether
both cue signals will be utilized by the end user. In on-air sports
broadcast situations a "double-muff" (stereo) headset will provide a
user with both audio channels, one for each ear. In interview or
news-gathering applications it’s common to use a single "earpiece"
to provide a user with program-with-interrupt audio.
Maintaining excellent audio
performance was a major Model 42A design goal—the hiss, hum, and
noise associated with typical IFB circuits was simply not
acceptable. The Model 42A meets those requirements with audio that
is "on-air" quality: low distortion, high signal-to-noise ratio, and
ample headroom. On-air talent and guests, production personnel, and
technicians will all appreciate the clean, quiet cue signal.
Each Model 42A IFB circuit
provides DC power and two channels of unbalanced audio by way of two
3-pin male XLR-type connectors. The DC output is nominally 30 volts
with a maximum rated current of 200 milliamperes. A major strength
of the Model 42A is the IFB circuit’s ability to effectively deliver
DC power over a variety of conditions. Unlike other interface
devices that use a common but less-than-ideal circuit topology, a
unique IFB circuit was developed by Studio Technologies to achieve
the desired performance goals. The result is a major improvement in
effectively supporting IFB user devices over a wide range of
conditions. Connected devices can draw up to the full rated 200
milliamperes of current with little drop in DC voltage. This output
voltage stability is the key—whether drawing 50, 100, or 200
milliamperes, the output will remain close to 30 volts. In practical
terms this means that reliable IFB-based cue systems can now be
deployed in more stadiums, concert halls, or motor racing facilities
than was previously possible; longer cable runs, more user devices,
excellent performance.
Audio Monitoring
To help
confirm proper installation and ensure correct operation, the Model
42A includes a full-featured audio monitor section. Two 5-segment
LED meters provide an indication of the audio levels as they appear
directly on the IFB output connectors. This capability makes it
simple to adjust and maintain correct audio levels so that optimal
IFB performance can be maintained. A headphone output is also
provided, allowing "real-world" checking of IFB audio quality. In
addition to being able to manually select the IFB circuit to be
monitored by the meters and headphone output, an "auto scan" mode is
also included. This allows each of the four IFB circuits to be
monitored in a continuously repeating sequence.
DC Monitoring and Fault Shut Down
To
prevent possible damage to the Model 42A’s IFB output circuitry, the DC
output voltage present on each IFB circuit is continually monitored. If
the voltage on an IFB circuit falls below 24 volts its associated LED
will "flash" as an error indication. If this under-voltage condition
continues for more than 4 seconds a shut-down mode will be entered,
turning off power to the IFB circuit. After a 10-second interval the
output will again become active.
Compatibility
The Model
42A is compatible with virtually every digital matrix intercom system,
including those from Clear-Com®, Drake, Telex®/RTS®, and Riedel®.
Interfacing requires only the connection of analog output ports from the
intercom system to the Model 42A’s audio inputs. Optimal performance
might be gained by configuring the nominal audio level of the intercom
system’s "virtual" IFB output ports to match the Model 42A’s +4 dBu
input level. With the Model 42A’s excellent audio and power delivery
performance it’s an ideal alternative to the interface devices offered
by the intercom system vendors. Using the Model 42A the intercom
system’s audio quality can be maintained all the way to the IFB users.
The
Model 42A’s IFB circuits allow virtually every IFB user device to be
supported. These include the Model 30-series listen-only belt packs
and Model 200-series
announcer console products from Studio Technologies. The
200-series units combine a variety of microphone control, headphone
monitoring, IFB and intercom system interfacing, and related
functions into compact desktop units. Industry-standard listen-only
belt packs from RTS, including the 4020 and 4030, can also be
directly supported.
Alternate
Applications
In
addition to broadcast intercom applications, the Model 42A can be used
to create high-performance stereo headphone cue systems. Line-level
signals coming from an audio console, a routing switcher, or an off-air
receiver can be connected to the Model 42A’s audio inputs. The IFB
circuits can be connected to listen-only belt packs, several models of
which are available from Studio Technologies. For example, the
Model 35 Talent Amplifier will allow
one or two pairs of stereo headphones to be supported. Each of the Model
42A’s four IFB circuits will support up to six Model 35 Talent
Amplifiers.
Model
42A Specifications
General
Audio:
Frequency
Response:
Pin 2 Outputs (DC with Channel 1 Audio): 20 Hz-20 kHz ±2.5 dB (80 Hz-20
kHz ±0.25 dB)
Pin 3 Outputs (Channel 2 Audio): 20 Hz-20 kHz ±0.25 dB
Distortion (THD+N): 0.01%, measured at 1 kHz, +4 dBu, pin 2 outputs (DC
with channel 1 audio)
S/N Ratio: 80 dB, ref +4 dBu out, 20 Hz-20 kHz, pin 2 outputs (DC with
channel 1 audio)
Crosstalk: 81 dB, typical, ref +4 dBu in, 20 Hz-20 kHz
Audio
Inputs:
8, organized as four 2-channel inputs
Type: transformer balanced, compatible with balanced
or unbalanced sources
Impedance: 10 k ohms, nominal
Nominal Level: +4 dBu
IFB
Output Circuits:
4
Type: DC
power with two channels of unbalanced audio
Connections: common on pin 1, DC (+30 V nominal) modulated with channel
1 audio (–10 dBu nominal) on pin 2, and channel 2 audio (–10 dBu
nominal) on pin 3
Maximum
Audio Output Level:
Pin 2: +9 dBu with +23 dBu on audio input
Pin 3: +14 dBu with +28 dBu on audio input
DC
Current Output: 200 milliamperes maximum
Monitor Section – Headphone Output:
Type: 2-channel (stereo), drives headphones by way of 100 ohm series
resistors
Compatibility: intended for connection to headphones with impedance of
100 ohms or greater
Maximum Voltage: 8 volts peak-to-peak, 100 ohm load
Monitor Section – Output Voltage Detection:
Measures DC voltage level directly on pin 2 of IFB circuit output
connector pairs. Status LEDs flash when level is less than approximately 24
volts DC.
Connectors:
Audio
Inputs: 25-pin D-subminiature female, 4-40 threads
IFB Outputs: 8 (two per IFB circuit), 3-pin male XLR-type
Headphone Output: ¼-inch 3-conductor phone jack
AC Mains: 3-blade, IEC 320 C14-compatible (mates with IEC 320 C13)
AC Mains Requirement:
100-230
volts, 50/60 Hz, 0.7 amperes maximum @ 100 volts, 0.4 amperes maximum @ 230 volts
Dimensions
(Overall):
19.00 inches wide (48.3 cm)
1.72 inches high (4.4 cm)
9.58 inches deep (24.3 cm)
Mounting:
one space in a standard 19-inch rack
Weight:
6.8 pounds (3.1 kg)
Specifications
subject to change without notice.

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